UGO RONDINONE

I made the first sun sculpture for ‘voyage d’hiver,’ an outdoor exhibition at the Château de Versailles in 2017. The sun is made from pieces of branches knotted together, cast in bronze and gilded. The sun sculpture is not only an investigation of the mutable potential of sculpture as both a physical medium and a site of rich cultural disclosure in art, but also a celebration of life; its seasons and rhythms, its plants and stones with which we share the planet and our own wild life. - ugo rondinone

In 2009, I made casts of 14 nude dancers in contemplative positions. The bodies were made with a mix of soil and transparent wax. The soil was sourced from all seven continents. Last year, I started a new video installation called ‘burn to shine’. Its shows 18 dancers dancing around a fire in the desert from sunset to sunrise. Similar to the Greek mythology of the phoenix, the immortal bird that cyclically regenerates, the dancers merge with the fire and obtain by sunrise a new life cycle. The seven flying bodies are also casts of dancers. Their bodies are camouflaged as cloudy skies. The flying body-clouds mark the end of a trilogy where the human body merges with the natural elements: soil, fire, water, and air. - ugo rondinone

The candles belong to the group of still.life. sculptures from 2013, where I cast small everyday objects in bronze and fill the hollowness of the bronze cast with lead and place the sculpture directly on the floor. The notion of the lead reinforces the dense solidity which causes the candle to lock heavily onto the floor. Part of its sufficiency results from weight and scale; it looks distant rather than small. In establishing this distance, the candle literally puts a lot of ground between itself and the viewer, asserting its own presence, that of the empty and surrounding area, and that of the solidly horizontal place on which the candle rests. - ugo rondinone
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